Art can carry beauty and harm in equal measure. The Methodist Church has taken a courageous step in confronting that tension head-on with the release of a new documentary. The film documents a three-year collaboration between the Methodist Survivors' Advisory Group and Ditchling Museum of Art + Craft. The answer the project arrived at was not to erase Gill's work, but to reframe it entirely: to centre the stories of his daughters, Petra and Elizabeth, and to make their experience — not his artistry — the primary lens through which the work is encountered.